MCA Free Family Days: The Artist’s Studio – Mar 13

What a cool program! We will definitely have to check this out soon :)

MCA Free Family Days: The Artist’s Studio – Mar 13

Christmas kitchen

Zoe has been obsessed with cooking for a while now, so when it was time to decide on Christmas presents, I went with a cooking theme. I took some old cabinets I had in the garage and made her this kitchen, complete with oven, fridge and sink, and then got her a set of dishes and some play food and cooking accessories from the dollar store. She's been baking for days! Hopefully, this will help keep her busy this winter.

Materials: main structure - One 15" lower cabinet with two drawers, one 12" cabinet door, a few scraps of wood; Backdrop - 2x2s and hardboard, paint; Stove - interior rack is a cookie cooling rack, burners were made in photoshop from an internet photo and then printed on sticker paper, stove knobs are from two liter bottles and a juice bottle, sink is a baking pan, faucet is a hose adapter and the faucet handles are a single drawer pull cut into two.

New Monster Boxes on Etsy!

Well, I've finally dusted off the shelves of my long neglected Etsy shop, and am now officially back in business.  Meet the new crew of Monster Boxes!  More to come soon :)

DIY Christmas tree

I started thinking about this project last December. We had always had real trees for Christmas growing up, but the thought of a messy, sappy, needle shedding conifer in my living room just did not appeal. Especially considering we have a toddler and a kitten who would only get into trouble. That said, I wasn't about to get a fake tree either. I never did like them, and the idea of having another large piece of plastic in my life just didn't seem right either. So, I started to think about making a tree. And once I convinced myself it was possible, it was just a matter of figuring out how to go about it.

It was a big project, and I'm glad I didn't try to hurry it up and finish it for last Christmas. This took lots of planning, and about a month of nights on the couch hand sewing branches. These long term projects are always a little scary. You invest so much time and energy into them, and are never quite sure if you will be happy with the end result, but I'm thrilled with the way it turned out. Now we have this wonderful tree that will hopefully last many, many years. Yay! Now I just have to start on those presents...

Materials: Fleece (two shades of green - light on top, dark on bottom), brown yarn, large needle, shredded phone books as stuffing, 1/2" dowels for the branches, 1 1/4" dowel for the trunk, scrap wood for the tree stand and brown felt to cover it and the trunk.

Child size crafting table

Here's my second attempt at furniture - a fun little table and chairs for Zoe's second birthday. When I started looking around for ideas for this project, I came across a fantastic set from Left Hand Make. It was georgous, and really inspired me to think carefully about the design and try to come up with a beautiful, functional, and timeless design. It's something we all need to remember. Objects can be art. It takes more time and energy (or money if it was someone elses's time and energy), but the end result is so much more satisfying than something that was mass produced by a machine.

I'm pretty happy with the way it turned out, and Z loves working at it. Another bonus was that I was able to use some scrap OSB for the sides and leftover red paint, so the only think I had to purchase was the birch for the seats and table top. The pocket on this side of the table is working out really well for books and art supplies, and there is a paper roll and tear bar mounted on the other side that feeds right onto the table top.

Owl-o-lantern

Crafting season begins.

Every year around October 1st, I get the crafting bug. First there's Halloween, which means pumpkins and costumes, and following close behind is my daughter's birthday. After that it's just a few quick weeks to the Christmas season. Basically, this means I'm crafting like crazy from the turn of the first leaf. This year has been no exception. I've been so busy in fact, that I'm a bit late posting my Halloween creation.


We let Zoe pick her own pumpkin this year. She was very decisive about it, pointing insistantly to a rather large and bumpy specimen and then insisting on a second, smaller one as well. Originally, I had planned on keeping it simple, and just going for a basic jack-o-lantern. Of course, this is not what ended up happening. After pondering the dilema of ending up with two pumpkins instead of the one I had planned on, it dawned on me that it would make a really good head and body. I'm not sure why I haven't seen this arrangement before - it works really well, and could be adapted to any number of animals. We went with an owl - which seemed like a really good non-scary Halloween design and perfect for our toddler's first pumpkin, but just about any animal would work.

Here's how to make your version:

Materials: two pumpkins (one big, one small), a crayon or marker, metal skewer, carving tools, carving knife, a few toothpicks, and a lantern.

1. Draw your creature out on paper.

2. Cut out a circle around the stem of both pumpkins - make the holes roughly the same size. Set the stem sections aside. Since the head won’t be sealed to the body, it’s a really good idea to also cut a hole out of the center bottom of the body pumpkin for drainage. Otherwise, it will fill with water and start to rot if it happens to rain. Trust me.

3. Gut the pumpkins as usual, and thin the walls from the inside to allow light to pass through more easily. I used a bent grapefruit spoon for this, but there are also tools specifically for this purpose that you can buy.

4. Turn the smaller pumpkin upside down and place it on top of the large one so the holes line up. Look at the gap between the two. Make any necessary adjustments so that the head rests flatly on the body – you will probably need to shave down any high spots so there is as little gap as possible between the two pumpkins.

5. Take the head off. You will reassemble the creature at the end, but it is easier to do the next steps on each pumpkin separately. Using a crayon (or a sharpie if you are really confident), draw the basic outlines of your design on the body, and then on the head.

6. Carve out your design (I used wood carving tools), but don’t cut all the way through. The thinner you get the wall, the better the light will shine through. If you don’t want to carve very deep, you can always thin the wall from the inside of the pumpkin.

7. Once you are done carving both pumpkins, place the head back on the body. With the head in position, find two spots on the back of the neck (see drawing) where the head and body are touching pretty well. With a marker or skewer, make a mark on the body pumpkin just below this spot. Break a toothpick in half and insert one half into each spot on the body deep enough that it feels secure (you may need to use a metal sqewer or drill bit to start the hole), but so that at least ½” of toothpick is sticking up from the body in a way that the head will rest on them. Now place the head back on the body so that the back of the head rests on the toothpicks. These will be in the back, so don’t worry too much about them being seen.

8. Use the scrap pumpkin pieces from the stem holes and the drainage holes to make any ears or other add-on pieces and attach them with broken toothpics to the pumpkins.

To put a light inside, just take off the head. I used a camping lantern for mine because the enclosed design really isn’t meant for a candle, but if you want to use a candle, you could always cut another hole out of the back of the body.

Happy carving!

Assemblage Creatures

As these things often do, it all started with a seemingly innocent idea that turned out to be incredibly dangerous. After my needle felting project, I got what I thought was a brilliant suggestion from my husband when he jokingly pointed at a package of steel wool on the table and said that I should try felting that next. Being someone who loves to use things in ways they were never intended, I thought this was a great idea and was even happier when I tried it and found it worked wonderfully. And what creatures do you make with steel wool? Why, robots, of course! And if you’re going to make steel wool robots, you’d better wire them with LED eyes. And so I started off on what I thought would be a fantastic project. I bought the finest steel wool I could find. I ordered bronze wool to use as an accent color. I bought hundreds of clearance sale LED Christmas lights, and different kinds of switches and batteries. I started cutting up soda cans to use as a kind of breast plate to feature the switches and knobs on the robot’s chest. I was really excited until I came across a little piece of information that stopped me dead in my tracks. Apparently, steel wool + battery = FIRE.

This was a problem. I had visions of my cute little robot friends being responsible for unspeakable carnage. Could I really sell artwork that had the potential to burst into flames? In the end, the answer was no. Not wanting to ditch the entire project, I decided I had to abandon either the steel wool or the LEDs. Due to the further complication of the steel wool being prone to rust, I decided that that was the ingredient to eliminate. I would have to find some other material to make up the bodies. So, what to replace it with?

Last summer I taught an art class with a group of kids from an arts organization called Little Black Pearl. Since I work for an environmental organization, I tried to come up with a project envolving recycled objects. In doing my research for this, I came across these fabulous assemblage butterflies by Michelle Stitzlein and fell in love with them. From that moment on, I was itching to give it a try, but I would have to figure out a way to do it that would not be a rip off of her work.

Wanting to go the assemblage with salvaged objects route but still not quite sure of my plans, I went to ReStore – a fabulous thrift store run by Habitat for Humanity that is filled with every type of building supply you can imagine. That’s when I stumbled upon track lights. It’s funny when you really take a look at something you’ve seen a million times and suddenly see a new potential. Instead of a light, I suddenly say a body, neck and head. The head even moved up and down and could twist from side to side. It was perfect. I picked up a couple different styles and also grabbed a bunch of random items that caught my eye including some casters, pipe clamps, and tiny bolts. My next step was to clean out my kitchen drawers and cabinets, where I managed to liberate several pairs of tongs, a mellon baller, my spare cocktail shaker, a can opener, two wine openers, and lots of other random stuff that I had never used.

Next, I laid everything out on the counter and held things up to eachother, trying to figure out what to do. That’s when I noticed the pasta tongs that were just screaming to be antlers. I took them out the shop and sawed them off their handles with a hack saw and ground down the cut edge at the grinder (a tool I got when cleaning out my dad’s garage, having no idea what I would ever use it for). Then I took the pieces over to the drill press that my husband had picked out of the garbage last spring (yes, an industrial drill press – it was the best dumpster dive ever!) and was able to easily drill holes to attach them to the “head” of the track light. And so it went. One piece at a time the creatures took shape.

Though it seemed I was on to something, there was still something missing - there was no color. Everything I was using was either white or black, silver or brass. Now, I love neutrals, but only as a backdrop to a punch of strong color. The last thing I wanted to do was discover that I had just built a blank canvas that needed to be painted. There are plenty of artists who are painting 3D “toys”, and I’ve heard from friends of mine doing this that it is roughly the equivilent of painting a 20x20 canvas. I had no desire to tripple my work, not to mention the fact that this just wasn’t what I was going for. But still, they needed something. That’s when I remembered the Monster Boxes I made last year – metal boxes covered in felt. Why not just use fabric? Afterall, I often work in fabric, and am very comfortable with it. I decided to go with brightly colored fur, covering only the torso sections so that all of the attached parts would still be recognizable.

  

Once the fur was in place, they seemed to come alive. They were cuddly, yet still industrial. Cute and still a bit dangerous - perfect. I was so happy with the group that I did something I’ve never had the guts to do before – I applied to a gallery show. And was accepted. It was a real whirlwind – I had one week from being notified to hanging, and then a few days to the show. The show was called TOYth, and was for a new non-profit here in Chicago called Prak-Sis that uses empty spaces and turns them into temporary galleries. It was so strange to be hanging my own work instead of someone elses, but it was really great to have finally done something I’ve always wanted to do.

The show’s down now (it was only a one night event), and I’m trying to decide my next move. Do I try to get them into other shows? Do I list them for sale on Etsy? Do I make more? Do I move on to another project? It’s all happened so fast, I’m a little at a loss for what to do next. I think I’ll try a couple of other galleries, and if they don’t pan out in the next couple of weeks, I’ll go for Etsy. If a gallery responds, I could always pull them off Etsy or make more if they have sold in the meantime.